An Artist’s Concept of the Draper Site

The almost complete excavation of the Draper site represents one of the first and certainly the largest of a Late Woodland village in south-central Ontario investigated on a salvage archaeology basis. I saw our work at Draper as an opportunity to have Ivan Kocsis, a very talented artist in Hamilton, create an artist’s conception of what the Draper site might have looked like after expanding five times to become a very large village of almost 2,000 people. This illustration has generally been very well received and has been used, with permission and proper acknowledgement, in a relatively large number of textbooks on archaeology.

Early Engagement with Indigenous People

This early program of incorporating Huron-Wendat students from Wendake, Quebec was one of the first examples of sharing the process of archaeological investigations with 20th century Indigenous peoples. One of the fondest memories I have of this pioneering program was being presented with a smoking pipe and stone bowl and a wooden stem made and signed by Regent Sioui for my role in facilitating this program. We continue to look back to move forward.

Evidence for Indigenous Warfare at the Draper Village Site Part 2

As we continue this sensitive topic from Evidence for Indigenous Warfare at the Draper Village Site Part 1, we reiterate that although this isn’t an easy part of any country’s history to explore, let alone read about or appreciate, it does help to understand the past in a way that gives clarity to the present and future generations of its people. The more research we do into the Late Woodland occupation of southern Ontario by Iroquoian and Anishinabek peoples, the more we realize how little we know and how much more can be learned.